Yes, all my post titles will be Cohen allusions for a while. DEAL.
Joseph Adama, the Caprica lawyer, he said once: "Be good, but not too good." So what happens when your prayers are answered? What happens when you see so clearly that you go blind? What happens when you burn off what doesn't work, and circumstances demand that you keep on burning, until there's nothing left? If you take away everything that a person is, and everything they wanted to be, and everything they ever were, and everything they ever loved. Orphans still have memory, and love, and dreams: What happens when you take those away, too?
Spoilers for the pilot, supposed to be airing in January BUT I COULDN'T WAIT, inside. If you haven't caught it on DVD and don't want to be ruined for it, don't continue.
Quick takes: On the opening scenes, my first thought was, "Caprica. Like the Matrix and Fight Club had a slutty little sister." And I'm glad to see that even a kajillion years in the future, school administrators continue to be the most twisted fuckers you could ever hope to find. God Almightly, Polly Walker is a sexy beast. I would say "new girlcrush" but I've loved her since Enchanted April. The robot playing Zoe is a better actress than the actress playing Zoe. Paula Malcomsen is like tired with her entire body, is how good she is. On Deadwood she was pulled tight as a violin string; here she's all exhaustion, temples to toes. I've loved Eric Stoltz forever; hot red-headed dudes are not easy to find. And maybe I'm just spoiled but I'm having a hard time with Adama not being, well, THE Adama. I clearly need some kind of therapy.
The show is always about a girl, trapped somewhere. Damn, Jane.
So here's me being contrary: It would be easy to make Graystone the villain, because we know from fucking Star Wars that the quick, easy path leads to destruction. We know from Catholicism that suffering is virtuous and reward suspect. It would be easy to see him as the villain and Adama as the hero, because Adama's doing the harder thing, right, getting over and getting on and dealing? And Graystone's taking a shortcut to bind his daughter into the world with steel? Playing God? Isn't that uniformly wrong? Isn't that shorthand by now, that anyone who does that is a monster or on his way to becoming one?We pride ourselves on balance, which isn't a terrible thing, but: We continue to speak in absolutes. We continue to make unbreakable vows. We continue to say "for better or worse." Worse can go anywhere from a hangnail to murder, so what does it mean when we say it? The promise we make isn't "for better or worse until one of us does something society and Oprah will excuse as grounds for kicking your ass to the curb," it's "for better or worse." We say, "You are my child, I would do anything for you." That's as specific as we ever get, so take that to its natural conclusion, spin that out to its end, and what do you find? Graystone, holding his daughter in this world with baling wire and chewing gum. Taking it seriously. Meaning it.
Not realizing, as we all horribly don't realize at least once in our lives, that the point of limitless love is trusting the other person won't make you prove it.
I'm not telling anybody to stay in shitty relationships here just to keep our word. I'm saying, we say forever, so we either need to change how we talk or we need to think about the potential outcome which is shit like this. We say, there is nothing I wouldn't do for you, everything I have is yours, you are my whole life, there is nothing as important as love. What if we were tough enough to make that stick? What if we kept all our promises according to the original wording, without Dr. Phil-ing around about codependency and enablement? What if we were all who we said we were?
This show turns out to be about that, about the glory and horror of that, I could be hooked hard.
You have no idea.
A.


I tried to get into "Caprica," but I just cannot. To me, it's just "Dynasty" with spaceships in the establishing shots. It's every prime-time soap opera with nothing new. I mean, it could be set in modern-day L.A., and not much would be different.
I kinda don't get the reason for it's existence, save for it simply being a Galactica spin-off.
Sorry. I hate to seem thick, but I don't see anything special about "Caprica." I guess I need it explained to me.
--mf
Posted by: Monkeyfister | November 01, 2009 at 10:27
[shrug]
It was OK. Perhaps the series will improve. We'll see.
Now, The Plan, out of 1h51m about 1h41m is pure drek. Bleh.
.
Posted by: spork_incident | November 01, 2009 at 14:12
Being expected to root for religious fundamentalists is not something I'm looking forward to. Other than that, I enjoyed it. 'The Plan' was a bit of a disappointment though.
Posted by: BlakNo1 | November 02, 2009 at 06:48
I'm glad to see that even a kajillion years in the future
Not to be all persnickity but don't you mean a kajillion years in the past?
I saw Caprica and am so-so about it. There was a lot to set up in the pilot, so maybe the series will be better. It was an ok BSG fix for those going through withdrawals.
Posted by: TheOtherWA | November 02, 2009 at 10:23